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Posts Tagged ‘fantasy’

Fata, goddess of fate in Latin, became the namesake for the fee, better known to us as fairies, creatures of magic who became popular characters in folklore. But many of the stories we call fairy tales involve no fairies, though they include magic. “The Shoemaker and the Elves,” “Cinderella,” “Jack and the Beanstalk,” “Snow White,” “Beauty and the Beast.” So what is a fairy tale?

A few blogs ago, we looked at myth, stories of gods and magical creatures who manipulate each other in the human realm. Bruno Bettelheim in The Uses of Enchantment says, “…the dominant feeling a myth conveys is: this is absolutely unique … grandiose, awe-inspiring, and could not possibly happen to an ordinary mortal like you or me….By contrast, although the events which occur in fairy tales are often unusual and most improbable, they are always presented as ordinary, something that could happen to you or me or the person next door when out on a walk in the woods…”

“In fairy tales, unlike myths,” says Bettelheim, “victory is not over others but only over oneself and over villainy (mainly one’s own, which is projected as the hero’s antagonist).” More significant, he says, “is the ending, which in myths is nearly always tragic, while always happy in fairy tales…. The myth is pessimistic, while the fairy story is optimistic.”  Fairy tales are really about the inner world of the protagonist, about confronting and overcoming obstacles, about growing and changing for the better.

Reading is much like going on a journey. Each reader enters a story carrying his or her own backpack full of experiences, needs, beliefs, and longings. That same reader leaves the story having added to the backpack whatever treasures he or she was ready to pick up along the road. If the story was a fairy tale, whether it included fairies or not, the treasure is most likely reassurance, courage, and hope for the future.

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Harry Potter, the Twilight series, Hunger Games – these are some of the most recent bestselling books in series for tweens and teens. Just this morning, I did a phone interview for my publisher about Eye of the Sword, fantasy novel #2 in the Angelaeon series. One of the questions: “Why does the fantasy genre seem to connect so well with young people?” Here’s my answer:

First of all, I wouldn’t limit the connection of fantasy only to the hearts of young people. That said, tweens and teens experience life with an intensity that fantasy matches. Teens are going through a natural process of questioning, wondering, and forging their own identity. They’re facing a lot of the darkness and real difficulties of the world for the first time. They have deep interior wishes and dreams – as well as anxieties – which fantasy addresses particularly well.

Fantasy shows us heroes and heroines confronting tremendous difficulties – physical, mental, and emotional – and shows our heroes overcoming those difficulties against great odds, which is not unlike the task that tweens and teens confront growing up. It’s just that in a fantasy world, the rules are different. I like that about fantasy. We can’t take a fantasy world for granted. It shakes us awake, keeps us thinking and on our toes (or the edge of our seats).

Part of what makes fantasy “true” – and appealing – is the moral cause and effect, the emotional cause and effect, the inner world. Yes, fantasy often reveals chaos, fear, hatred, vengeance, and despair. But the best fantasy uses chaos in order to get to calm, fear to get to courage, hatred to get to love, vengeance to get to forgiveness, despair to get to hope. Those are issues teens – and all of us – confront.

So go forth, find yourself a good fantasy, and read!

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“Story is the most perfect vehicle of truth available to the human being.” – Madeleine L’Engle

Humans are creatures of story. We’re drawn to true stories, made-up stories, contemporary stories, ancient stories. While information goes to the mind, stories go to the heart and change the mind.

One of the first things writers learn is that we write best what we like to read best. I happen to like history and fantasy, so it makes sense that I wrote a fantasy set in a world similar to ancient Rome/Greece/Palestine. Still, why not write a purely historical story? Why make it fantasy?

Fantasy lets me explore the mystery of the spiritual. It allows me to wrestle with deep issues that fascinate me: the interplay of opposites like light and dark, courage and fear, revenge and forgiveness, freedom and bondage, power and love. These are complex issues, and the mere mention of them conjures story.

Writing fantasy was a spiritual experience for me. I dived into my fantasy world, and when I came up for air, I found the spiritual context of the physical world to be more real, deeper, broader, richer, more amazing than I had ever known before.

What’s true of fantasy for me is what novelist John Gardner said of fiction in general: it “helps us to know what we believe, reinforces those qualities that are noblest in us . . .” Fantasy plows my heart, turns over the hardened dirt, and exposes the soft soil so that what’s noblest can grow.

 

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Author as god

Worldbuilding. That’s the word fantasy and sci-fi writers use to refer to the settings they create. Setting is not only geography and climate but people groups, politics, religions, social mores, languages and everything that creates an imaginary world so detailed it seems real to readers. Some writers plan extensively either in their heads or on paper before they begin writing. (Which I hear can be an excellent way to procrastinate and never write the story.)

I didn’t do a lot of worldbuilding before beginning my story, mainly because I was so new to novel-writing that I didn’t know what I was doing. I entered my fantasy world blind and exploring. At same time, I was researching the real-life ancient world: Rome, Greece, Egypt, Palestine. As my fantasy world began to take shape, it reflected that research and now resembles ancient Mediterranean cultures. The operative word is resembles. The world of Breath of Angel is entirely fictional geographically, politically, and socially, filled with angels, sylvans, windwings, draks, shape-shifting, alchemy, and more.

But I’ll never forget the euphoria I felt the day I completed the rough draft. It was amazing. I had created a world, places that had not existed before, characters who were not “alive” before. But now they are. A new world. New creatures. I felt a tremendous, exuberant “high” and knew that when Creator looked at creation and said, “It is good,” not only was it good – it felt good. Awesomely good. I suspect the Author danced with ecstatic joy as the story began.

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